Tutorial 1
Focus On Trust: The Photographer - Photobuyer Relationship
It’s all well and good to have all the
equipment at the ready although some of us simply dream of that. The truth to
success lies in the many moral and social sides of relationship with your
clients and with your suppliers. That includes people who may or indeed DO
recommend you to others. This article is an injection of reality and poses some
ideas and concepts in an embracing manner. In these times of rapidly advancing
technology, it’s more important than ever to communicate with the photobuyers
you have worked with over the years. You may be able to help guide them on some
sticky Internet or search engine questions, like how to choose keywords for a
search in Google. Be prepared to advise, but not to lecture, and your assistance
will eventually be rewarded.
Know the special interest areas of your photobuyers. Do your homework to
pinpoint what content they need and see what their website and print
publications look like. Use a major search engine to research the publishing
house(s), magazines, and special interest(s) they represent.
Here are nine suggestions on how to build a
good relationship with your photobuyer contacts.
1. Present a “give” list. Don’t be a “gimmie.” Don’t contact photobuyers
to ask questions to help yourself — help them. Let them know you can provide
them with photos in such and such areas (the areas you’ve found out are the
focus of that particular buyer) and that you are in a position to be a regular
supplier of such photos.
In the course of your conversations, you draw out what specific current needs
the particular buyer has, all the while emphasizing what experience or
qualifications put you in a position to be an important resource for the
photobuyer and his/her publication(s).
2. Introduce yourself cheerfully. The
way you open the conversation will set the tone for the entire exchange and
impression. 3. Be open. Be
candid. Evasiveness or ambiguity won’t work. Beforehand, clarify to yourself
your purpose for the call, the points you want to provide to the photobuyer, and
then straightforwardly go for it. For example, don’t use the excuse, “I am
updating my database.” 4. Be
enthusiastic. Exude a sense of confidence. A positive attitude will encourage
your buyers to want to see various ways they can use your services. Yet don’t be
overbearing or confident to the point of arrogance.
5. Be complimentary. A well-paced,
well-meaning compliment about the photobuyer’s publication, a recent layout,
insightful coverage, etc., will serve you well.
6. Interest. Briefly bring up one or
two current topics related to the photobuyer’s area of concern. The more social
you are, the more likely you’ll elicit a favorable response. Of course, don’t
overdo it! The photobuyer will appreciate your awareness that he/she is busy and
has deadlines. 7. You might
share with the photobuyer some bits of information you have learned from other
sources in the field. However, be certain not to betray anyone’s trust.
8. Be charitable. Allow that 75
percent of photobuyers don’t have time to return phone calls from unknown (to
them) prospects, especially after a deadline has passed. Solution: It’s nothing
personal. Maintain equanimity and sail on. Persevere with new submissions for
new needs, and you’ll score at some point.
9. Understand model releases. Even
though model releases are not required 99 percent of the time for editorial
usage (illustration purposes in books and magazines), this subject strikes fear
in the heart of many photobuyers. Some seem to think they need model releases to
protect themselves and their jobs. They’re not fully aware of their or your
first amendment rights. When photos are used to inform and educate and
entertain, model releases are not required. If the magazine or book photobuyer
you’re speaking with requires releases, it’s a signal to you to politely end the
conversation and move on to the many markets who know their first amendment
rights; that is, who are aware that for 99% of their needs they don’t need model
releases. Source: Photography
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